Roy Tighe

Why We Still Shoot with ND Filters Instead of High-Speed Shutters

August 25, 2026 by Roy Tighe

Color Grading: When to DIY and When to Hire a Colorist

August 18, 2026 by Roy Tighe

Rain, Wind, and Delays: How to Handle Weather on Outdoor Shoots

August 11, 2026 by Roy Tighe

Working with Non-Actors: How to Get Natural Performances

August 4, 2026 by Roy Tighe

Behind the Scenes: How We Shot TCL’s Latest Commercial Campaign

June 16, 2026 by Roy Tighe

Gear Doesn’t Matter — Until It Does

June 9, 2026 by Roy Tighe

The Real Cost of Reshoots — And How to Avoid Them

May 16, 2026 by Roy Tighe

How to Brief a Commercial Director — A Client’s Guide

May 15, 2026 by Roy Tighe

Behind TCL NXTPAPER — Shooting a Product That Looks Like Paper

May 14, 2026 by Roy Tighe

Color Grading: Why DaVinci Resolve Is Still Worth It

May 13, 2026 by Roy Tighe

What a Pre-Production Meeting Should Actually Cover

May 12, 2026 by Roy Tighe

Why We Still Shoot Anamorphic — Even on Commercial Projects

May 11, 2026 by Roy Tighe